Acid Math Official Blog

Marijuana Tampons are treating period cramps
May 23, 2019

Marijuana Tampons are treating period cramps

No one enjoys living in physical pain. 
If there are natural ways to prevent the pain, many of us are interested.
There's obviously been a big trend towards finding more natural ways to cure what ails us. Honey for coughs, turmeric for arthritis pain and now marijuana for menstrual cramps and pelvic discomfort.
Although if you ask Grand Rapids pain expert Dr. Marla Gendelman of Liberate Pain Management, it's not anything new, "Cannabis has been used for PMS literally since pre-biblical times. They burned incense and it was used as topically and orally."
When it comes to treating those painful monthly menstrual cramps, it may be time to put  those other pain killers like Motrin, Midol or Vicodin back in your medicine cabinet and give marijuana a try.   Numerous women face intense pain and muscle cramps during their periods, so they will be delighted to hear that a company called Foria has created “cannabis vaginal suppositories”, designed to help them relieve these symptoms as they are suppositories with cannabis that dissolve inside the vagina.
Foria Relief, currently available only in California and Colorado, has introduced a medicated tampon that the company promises will “maximize the muscle relaxing and pain relieving properties of cannabis without inducing a psychotropic high.”
The  marijuana tampons contain 60mg THC / 10mg CBD.

You can find topicals and oils in area medical marijuana dispensaries. Even Whoopi Goldberg has opened an online shop specializing in pain management for women.
Women who have tried the tampons claim that they are incredibly effective, but in order to purchase them, one needs to join Foria’s collective and depending on the state you live in, she might need to submit an application along with a physician’s recommendation letter. Additionally, a pack of four of these tampons costs $44.
Lake Effect Consulting is a medical marijuana dispensary in Portage. Rachel Fogleson with Lake Effect says they provide a few options for women looking to manage their menstrual pain most of their products are topical or oral, "Each dose is going to be a little bit more specific to what your needs are your pain levels and things like that."
The Foria tampons are not available for sale yet in Michigan, but that could soon change now that recreational marijuana is legal. Fogleson says it's a good thing, "There's a huge market for women, but not a lot of products that are directed towards women."
Dr. Gendelman agrees, stating "I think there's going to be all kinds of things out there." From skin care with claims to reduce your wrinkles to other products Dr. Gendelman says might make you do a double take, "There's even CBD mascara, which I question the need for."
Some products will push the boundaries of marijuana's medicinal claims -- others like the Foria weed tampons, will push the boundaries of your wallet at $11 dollars a suppository. Either way, it looks like women may start to have more choices when it comes to managing monthly pain.
Ingredients Label Is Short:
  • Organic Fair Trade Cocoa Butter
  • Distilled THC Oil
  • CBD Isolate (99.99%) from Organically Grown Hemp
The product will give your vagina a slightly intoxicated sensation, but the effect won’t travel to your brain. (And it won’t exactly make your vagina high.) According to one happy customer, the product “smells like cookie dough and cocoa butter.”
In October Harvard University announced it is conducting an observational study of 400 women who have agreed to use marijuana suppositories for menstrual pain. The hope for researchers is that this is a first step towards clinical trials that may eventually lead to FDA approval
On the website, Sophie Saint-Thomas tested the suppositories and reported her results:
And here’s the science:
Is it FDA approved? Nope. Since cannabis is considered a Schedule 1 drug by our federal government, the FDA cannot and will not sanction the medical efficacy of the product. Yet.

Interested in making your own?
Check out this article!


Read more →

October 11, 2016

New Art Prints!

Our art print store is now open! Here's a few of our favorite prints up close from the new collection :)



Read more →

Phazed Interview
October 02, 2016

Phazed Interview

Where do you get your inspiration?

I get inspired by the music I listen to, as well as browsing through Tumblr. The psychedelic experiences I’ve had in the past also inspires me, or at least influence the way I approach whatever it is I am working on.

What environment is most conducive to productive times? Non productive times? What do you think of the term muse? Care to elaborate? Are you spiritual or religious? Does this play into your art?

I find that I work best when I am at home, listening to some new music I haven’t heard before. I seem to to have more energy to draw when it’s a nice day outside. Mornings seem to be a productive time for me, as well as very late at night. I find that drinking coffee in the morning gets me started, and then smoking weed helps me have more patience and be more experimental. I am not very productive when I am very busy with work, or if I am distracted by all sorts of things I need to get done. Hence why I try to keep my place clean and organized, and the food stocked up so I don’t feel distracted by a mess around me.
As for the term “muse”, if we are talking about a source of inspiration, like a person for example, I definitely believe that people I have found beautiful in some way or another have always inspired me. A very large amount of my drawings are made using references of girls who are either friends or friend of a friend. There is also a lot of enjoyment and happiness that comes out of surprising someone with a drawing using their face or body as reference.
I am not religious, but I can’t disprove the concept of having a soul, or the possibility that our awareness/consciousness of the present moment could be the universe trying to experience itself. I believe in science, but I also believe that science has still yet much to discover. What was once considered magic is now science or technology, and I believe a lot of what we considered magic/spiritual today will be considered science/technology in the future. Having had psychedelic experiences with magic mushrooms has definitely given me more of a spiritual view on life as well.
My views are very similar to the things Alan Watts talk about, it is neither on the extreme scientific side, nor the extreme religious side, it’s rather a middle way between it all. I do my best to keep my focus on the present, making the best out of what I have now. Putting out as much positivity as possible, and that does play a role in my art. I don’t do art to try and show off my abilities, or to keep sharpening my skills, the main reason I do art is because I want to put out good vibes.

If there was something you could change or improve on. What would that be (in you or in others).

I would like to be a more social person, but I seem quite comfortable being introverted and a hermit working at home most of the time, on art, music, and my job. I tend to get obsessed over whatever I’m working on to the point that I block out the world, which is something I feel I could improve on.

 When you create a piece, do you already have an idea in your head that you're trying to convey in the piece at hand or do you just go with the flow?

It really depends on what I am working on, sometimes I already have the concept in my mind and I try to go with that, and other times I just go with a random idea that comes in the present moment. But either way, I let every brush stroke influence the next, so the original idea I started with might not be present at all by the end of what I’m working on.

How do you deal with an art block?

I find that whenever I have an art block, it’s either because I’ve gotten too comfortable doing the same sort of thing for too long, or I am taking things too seriously. An art block for me seems to come when I am trying to force art out of me instead of doing it out of enjoyment. So usually the best way for me to deal with an art block is to try something different, and remind myself that I don’t need to take it too seriously, I’m just doing this for fun.

Do you have any rituals you use to clear your head so you can actually sit down and have a solid session?

Drawing or making music usually is my ritual to clean my head, but there are some things that help me with actually getting to it and being comfortable starting a long session of drawing or making music. Like organizing/cleaning my space, getting anything out of the way that might need to get done. Smoking a joint can help sometimes too. When I was younger, I had a lot of issues with having an overwhelming amount of thoughts and anxieties, drawing helped me with that, but it was still a problem in the sense that it prevented me from really enjoying what I was doing sometimes, and it was distracting. Over time, through lots of research and listening to people like Eckhart Tolle, Alan Watts, and others, I’ve learned how to tame my thoughts, not take too seriously the illusion of my ego/persona/act , and no longer feel so much unnecessary anxiety/stress. These changes have greatly helped me with how I approach my art and music, and my level of productivity.

Read more →

Art of Dino Interview
October 01, 2016

Art of Dino Interview

Hey Dino! Where do you get your inspiration? 

I get my inspiration from Everything and Everyone i meet... Sometimes its the really happy and beautiful things of this world that overwhelm me with the energetic motivation to dedicate my every waking instant to Art and my visions and ideas for future Art... Other times its the terrible things of this world, the Evils, the decadence, the destruction, the WRONG paths of so many and manipulations of those with money and in places of power that really just fills me with a NEED to change things for the better. I see the way the future is headed and how it is completely losing touch with the Native ways of living in nature, with patience, without electromagnetics of constant communication,,and with poisoned foods and medicines, and i see it as a mission of mine to make people aware of the PERFECT world around them before it vanishes or is destroyed. The people spreading the insanity throughout the world have ALL the money of the world to do so, but i am convinced 100% (and i always have been) that the right ARTwork or Creative Creation CAN affect the world on a global scale and lead to an awakening/Renaissance/perpetual Earthly harmonized state that will make us ALL truly realize the magic of Life that so many try so hard to make us NEVER reach... But we WILL get to that point.. We Will Save eARTh...WE Must SAVE THE ANIMALS!  We all play a part, and mine is with ART. Theres no greater mission, and this intention goes into everything i draw and everything i do in my life :) 


Have you considered working with any organizations that deal with animal rights or saving the planet? 

Yeah Its actually always been a goal of mine to offer my Artworks to Fundraising organizations so that they may use them and donate the proceeds to their cause... My main idea is to offer the prints and only request 1 dollar per Artwork sold, so that i can basically keep track of how many sell... The rest of the profits would go towards the cause... Ive proposed this idea to possibly hundreds of charities and they rarely ever respond. A couple groups have offered my Arts with some success... But never what ive envisioned, which i guess is one of the only bad things about a hyper active imagination in a world where you are almost forced to Pay for advertising... Everytime i complete a drawing with a potential mission and fundraising potential, i assemble an incredibly large list of email addresses and sometimes phone numbers, and i send out Mass emails or post on hundreds of relevant facebook walls... I call it fishing... Sometimes they bite back, other times the calls go unheard... Other times they make promises and drop them in time... Its not easy working with others... I also often feel that some organizations dont trust that the artwork is fully appropriate, because of all the details i think they are worried some drawings may contain a fragment of something they do not support... Its all too technical working with others... So me and my Fellow Art Warrior girlfriend Erin have goals to one day achieve the ability to open a farm sanctuary where we can work first hand with animals... We have worked with several in the past, painting murals, offering donations, creating artworks for them and more... This works well and brings us and the Animals joy. I still envision some more mass scale adventures though. My Drawing tHE ARTk is still well under-utilized by Animal Rights groups, it is the ultimate Educational and Animal/Earth Awareness artwork featuring 1250 Endangered Animals forming eARTh... My current goal is to get this artwork into every school in the World... im only at 2 Now, but it has been recieved amazingly well... I need the world to Embrace the positivity and beauty of Our Art, and to do that and many other Earthly goals, the world needs to go through a Renaissance... Quick!



What environment is most conducive to productive times? Non productive times? What do you think of the term muse? Care to elaborate? Are you spiritual or religious? Does this play into your art?

In College i had a pretty intense roommate who would blast music I didnt like throughout the night and pretty much always. So i learned real quick to tune out the world around me Instantly! So because of this I can be productive virtually anywhere and at anytime no matter what distractions are encountered. HOWEVER, there is no time better than the hours of 11-6 AM... No one contacts me, All others are sleeping, the World belongs to the Creatives at this time. I almost feel as if i am doing a service to the planet by providing it with the vital nutrients of creativity when the majority of others are asleep. In the same way, i Love being creative during Super Bowls or other events that mean NOTHING to me, but so much to the world around me. Gotta feed the invisible realms of the planet when it is low. 

I guess i am pretty spiritual. I was taught at an early age, by my parents that associating with a particular religion is not important at all. So i borrow the Good from All religions who teach beauty. I grew up in a town with many religions, so ive been exposed to them all at a young age, yet it was the historical undocumented Native American presence in my hometown and in my neighbouring woods that i feel i connected with most. This led me to research Native cultures of the Americas, Aztecs, Mayas, Tibetans, Egyptians etc, of which i feel i am VERY inspired by. There are so many mysteries of the Universe, and so many cultures who existed harmoniously with Our planet, thats always been the way ive seen the world, and when my own thoughts match with those of the ancients, i know the path is Perfect. I never stop pondering my existence and Universal mysteries, I never Stop learning, and I never stop Creating. Art has become intertwined with the quest in the way that my Art brings out insights of the world that are often truly subconscious and Ancient. It allows to explore subjects on my path of discovery and pull out the magic that the universe has stored in its invisible timeline. Art is a magical practice, in All ways it is my religion :)

Do you ever find that certain environments inspire you differently though? Or are you channeling the same energy no matter what? I would expect to feel differently if I was next to a waterfall rather than just in my room. 

Well I've always felt that having water close by does something truly magical, especially breaking water that releases the magic constantly... Thats why all the best ideas come from within the confines of the bathroom, or at the beach... I spent a few months living right on Old Orchard beach in Maine, and i was incredibly Charged at All times. But i usually get my charge on in the woods or something and get fired up about my current doodling's or mission, and bring that energy to the table as quick as possible... I have had about 6 different ART rooms since 2000, and i feel they all possessed a unique feel at the beginning, which became charged as time went on. Ive been in moldy basements, sweaty top floors, dark rooms and more, and they have all allowed me to be extremely productive, which makes me believe i am channeling the same energy no matter what... While drawing... However when ideas are needed, i will occasionally go to a water source to solidify the vision. I am also beginning a new trend of spending entire days drawing outside while smothered in nature... It is part of my new mission to get people outside more, including myself, and to bring back the magic of the outdoors to everyone who feels scared by it due to bugs, sun, etc... All those things are necessary, nothing feels better than laying down on the eARTh and embracing whatever crawls upon you. Especially if its during an Art session... Plus i will usually include in my drawings whatever insects or animals make an appearance while i am drawing... which is always Fun :) 



If there was something you could change or improve on. What would that be (in you or in others).

In Me, it would be the amount of time that i spend dedicated to Art... As we all must do, money is often needed for survival, art supplies, shelter, etc.... It is my ultimate goal to live a truly creative life. It has been my dream since i could envision a future of any kind. I want to spend 20 hours a day being Creative, with 4 hours of sleep... and 2 hours of that 20 to be spent in Nature. Then i could complete all my Art ideas, musical ideas, Book writing, and so much more... So i would love to eliminate my need to work for anyone or anything else and live a purely creative Dream life, even if its in a hut somewhere in the woods. Which would actually be ideal. So i guess id eliminate Money! haha If i could change things in others it would be the worlds obsession with cell phones and other useless distractions. I have despised and not trusted cell phones since the first time i saw one in the early 90s. Still to this day i do not trust them and never carry one if it is ON. Yet i live in a world where everyone not only trusts them enough to stare into them for extended periods of time, but they do so So much that they are missing out on the world around them... And not only missing the beauty, but missing the fact that there are so many bad and corrupt things out there aimed at ruining their health and making them less aware of the Beauty of this planet. Chemtrails especially infuriate me, because virtually everyone is oblivious and trusting in them being Ok.. yet as an avid sunset watcher for over 25 years, i KNOW they do not belong and NEED to be stopped immediately. They have violated the ZEN of the days most beautifully perfect Celestial event. I firmly believe Our Generation can fix ALL that is wrong with this world, i KNOW it is possible, but People need to wake up and dedicate their unique skills to the cause. Which is impossible with their heads buried in handheld electromagnetic radiation distractions :) 


What are your thoughts on the recent developments in baltimore? Do you foresee a bloody and violent revolution in America or something else?

I have mixed thoughts. However i do feel it is a result of terribly poor leadership of Our Country combined with a horribly untrustworthy and pathetic mass media role that is truly detrimental to PEACE. There are so many Liars in politics, and on the media that I feel news organizations are not truly representing the PEOPLE... They are simply fabricating and manipulating lies to make certain aspects of their Terrible agenda fit into a puzzle that does not want them... The side of evil has SO much money, but the side of Good has an Overwhelming amount more people supporting it... Yet when a media only focuses on the evil, it makes people that Obey the media really think that the world around them is a horrible place. Which is the exact opposite of reality. So in Baltimore i see frustration from a people who have had enough, and acceptance from authority who is recieving orders from above that ends up accelerating the destruction. A True Presidential Leader would act as MLK and Unify, and would speak from a heart that beats Peace, not division. These past 7 years we have seen the near silencing of heroes and the media obsession with absolute total corrupt losers who add nothing positive to the world. This needs to change by way of a RENAISSANCE, or a peaceful revolution. Warriors of TRUTH, Beauty and the Perfection of the World have a harder time reaching the world because of a lack of funds... Whereas corruption is big business with big profits.. A new MEDIA must be born outside the realm of the controlled. New heroes for the eARTh must emerge and combat peacefully the underlying agenda of the monsters who have illegally seized control of this country and the minds of its People through pharmies, media manipulation, poisoned food/water/AIR, etc.... HOWEVER, i am convinced 100% that All humans are born perfectly GOOD... All this money aimed at making us Evil and enemies of one another, still continues to prove that it cannot be done when people become unified by the moments of Greatness... GOOD is Free and can spread everywhere freely if the right messages are getting spread... And i believe the population of America and the World are 99% GOOD, but with some confusion mixed in... However, when this EVIL agenda hits a tipping point/peak, and crosses a line so far that people REALIZE the Truth,  there will be a Mass awakening of GOOD on such a grand scale and ALL will be Friends and the Renaissance will commence. It All stems from Knowing that we are ALL Earthlings upon this Miracle planet. Everyone can grasp this... Everyone NEEDS to live by this... It Will Work, we will have a Golden Age and All this nonsense and control WILL be reverted back to Ultimate Freedom for ALL Life.. including the Animals... It All needs to happen before Our planet dies... I think everyone responsible for harming the planet for profit should be imprisoned and have their $$$ given to the people to put into Free Energy and crop production... The GMOs should be fed to them and only them... While we All eat crops grown organically and locally, everywhere it is possible to grow... 



When you create a piece, do you already have an idea in your head that you're trying to convey in the piece at hand or do you just go with the flow? 

It often depends on the Artwork as each one is different and filled with a different set of intentions. Some underlying intentions (Saving the World, Awakening people, showing Our interconnectedness etc.) can be found in every single drawing and thing i do in life. Yet others have clear missions and purposes that go beyond the stock intentions. But for virtually all drawings i have a vision in my head of what they will look like, but they often play out and manifest in completely different ways, while still having the exact purpose that i set out to instill in them. For instance, when remembering a dream it is vital to remember the "Feel' of the dream no matter whether or not you remember the events. My Art is like that in that i always capture the intended FEEL of my aim with the ART, but it is often displayed differently then i previously envisioned. Which has to do with many factors... Since my drawings take a lot of time, sometimes over a year or two to be ready for the world, a lot changes in my Life over those times and can be seen reflected in the Artwork. Sometimes blank sections of drawings will be there for months as i struggle to find the perfect/ideal imagery to fit into it. Plus i always have between 5 and 10 drawings in progress at ALL times, so that if i am stumped on one i can move right along with another. Some Art takes research and some in depth thinking in order to complete it, while others are just designed to be free flowing experiments of the imagination. This is necessary for keeping things fresh and ALWAYS having a drawing to go to and rock out on. Plus my idea list for future drawings is infinite...for instance, next year is my 33rd year on eARTh... aka my Jesus year, so it will be the year of my self portrait as well, which i am envisioning a little bit now, but will materialize differently as time and world events lead me closer to that birthday in which i will begin the drawing. I also do like to start and finish drawings on symbolic days that relate to the drawing. It adds to the magic of being an Artist and makes everything seem really overwhelmingly awesome :) Art is the best.


Do you practice lucid dreaming? Drawing in ones dream journal seems like a great idea. Is that what you do? 

I have had many phases of Dream importance in my life... Some of which have coincided with particular books I've read, or teas I've drank before bed. I love Carl Jung, as well as Native American writings on Dreams, and Tibetan writings and more... Yet i also have had a lot of amazing unexplainable dream synchronicities of my own throughout my Life... There is a Hopi herb known as Wild Lettuce which when brewed in a tea can create some amazingly intense lucid dreams.. However pretty much all of the time i will be simply drawing until i cant keep my eyes open any longer and need to pass out... I also like to live a pretty free sleeping life, meaning that i rarely ever have to force sleep or wake up at a time i dont want to.. So this helps the freedom... I also feel though that dreams come most when they are truly needed and something has to be learned by them, or a part of my path needs to be altered to avoid something not so perfect. I have learned to correct my path many times from events in dreams, and those moments are incredible. I also feel like certain places are hot spots for dreaming. I once slept in a Nicaraguan families home near a beach in Maine and had an amazing dream of Don Juan from Carlos Castenadas books where he took me for a tour of his dwelling and all his otherworldly artifacts... Other times certain basements will be dream hotspots, or sleeping on the floor, etc... The power to lucidly explore dreams is a necessary miracle to fully obtaining all the perfection that Life has to offer... I never understood those people who dismiss dreams... Some periods of time (especially with the Wild Lettuce) i have gone through months of living entirely full days within the dream world. I would often Sound record those memories the next day... I sometimes write them down... Only a few times  have i drawn a full image based on a dream, yet many of my small scenes (pieces of bigger arts) contain dream imagery of mine. I am still convinced that this reality is some form of dream, the illusions smother us for good and bad and there must be a way to peer through. That is my goal with the spinning mandalas, to create a glitch in reality that people on a mass level can see and experience... The mandala is a dream manifested, and to meditate and stare upon it is to enter a waking dream state where the illusion can be molded into anything your brain can produce. Whether it realizes it or not... Lastly i also have some dreams that have lingered for my entire life and keep getting stronger with age, how this is possible from a dream, is truly explained only by the magic of Life... At a very young age i had a dream near my parents pool in the backyard where a Jewish friend asked me my favorite Psalm. I immediately responded with Psalm 63. I woke up and discovered Psalm 63 was entitled "Ardent Longing for God"... i was about 7 when i had this dream... I also have had numerous dreams of this particular woods landscape which features an Art gallery/museum that is fully immersed in nature... Over time i realized the location of this dream, and it is forever been my goal to build my vision... and i WILL :) Dreams are the best... Art keeps you in tune with the dream life like nothing else can... All is Perfect :) 



How do you deal with an art block?

No Such Thing, Ever. There are too many ideas.. Too many images and messages that the eARTh needs to embrace. Too many Creative avenues that need exploring. I keep track of many of my ideas on paper as well as in neural filing cabinets where they perpetually evolve til their time comes to materialize. There is always so much to do and i am always a little behind in my Art goals because of the time spent trying to exist in this world around me (money). When the 20 hour Creative days fill my life, maybe ill run out of ideas when im 100... But then again i have ideas for that age as well... If given the chance to be a full time Artist, i would consider that the ultimate blessing of my existence, and would work tirelessly to fulfill that obligation towards eARTh and ALL its lifeforms :)


 "Who is your favorite artist?" It can tell a lot about their mindset and preferences and what kind of art they are capable of.

Dali was possibly the first person who made me truly realize that the thoughts within my imagination could be created visually. I'll never forget the first time i saw his Art in a book and really explored and understood its power. I am fortunate as well to have parents who love travel, so i went to Europe and many of the museums there at a very young age. And even at a young age i fully recognized the Power of touching an Artwork or object charged by an ancient or past Master. I always felt the need to touch things like Galileos tomb or Ancient Egyptian or Buddhist Artifacts, as well as Dali paintings behind museum boundaries... After Dali opened my mind to Art, i really started to love the dudes like Hieronymous Bosch, Pieter Bruegel the elder, and MC Escher. Eschers quest for infinity was reflective of my own quest even before i had learned of his mission. Alex Grey is another whose personal discoveries matched those of my own without even knowing. Those realizations of similarities between myself and others who dedicate their lives to Art really continued to enforce my need to create throughout all my life. Add these more modern masters with my love for ancient cultures and the favorite artist list expands infinitely. Some of my favorite creations are those of the Maya and Tibetans for they did not even need name recognition, yet the works will stand forever and be capable of influence always. I also had a great Norman Rockwell moment in which i had seen his Art in books all my life, but never in person. I then one day took a road trip to see his museum and wasnt really expecting much, yet i was absolutely blown away by everything from his technicalities to the emotion and feel of his work, and the tastefulness as well... Then i saw his little Art studio hut on the hill overlooking the valley and realized immediately that this was all i wanted with my life.. I even snuck around the boundaries there to touch a couple of his brushes and his easel...  Any Artist who dedicates his life to the craft and evolving the world with it, is a hero of mine and thus ranks in the favorites. There are so many great artists out there, i wish them all the recognition they seek to obtain :)

Do you have any rituals you use to clear your head so you can actually sit down and have a solid session?

 At the start of an art session i usually will brew a cup of tea, light a little Palo Santo sacred wood 'incense', get a movie ready and go to town... I used to and still occasionally will just put on some music, but i Love Movies and Film and love hearing the stories and traveling through the imagination of others. Sometimes i get convinced that ive seen all the good movies and then ill toss METAL on and just draw forever. It is ideal to get into the zone when all other daily responsibilities have ceased and i can remain focused. I often get giddy at the beginning of a long session, especially if i know that i can spend the next 8-20 hours drawing. Those are my favorite days, so productive, the trance sets in, the body goes into its dream mode and the hand just does the work of the brain and the surrounding spirits. I also never take myself or my Art too seriously, humor and the trickster make hourly appearances each day, keeping me grounded in laughter, the bodies best defence against EVERYTHING. I also have some rituals for when a mandala is beginning and when it is complete, before the official SPIN. My favorite moments of being an Artist are when a mandala is ready for its SPIN. I always suspend it from the ceiling and give it one good spin and then walk out of the room so that the UNIVERSE itself is the first to see it. Then i come in, very excited and stare for hours. Spending so much time on an Artwork, getting to know every dot, and then laying down and  observing it from all directions to see what it truly IS, is an indescribable joy of mine.  Those are the moments when i can feel with every atom of my body that this life is truly Perfect in every possible way. I want all inhabitants of the world to feel that way and KNOW it to be true. The Mandala is the key to this breaking through of the illusions surrounding us. So i will never give up or cease to create, EVER! :)  


Read more →

James McCarthy interview
September 30, 2016

James McCarthy interview

Hey James! Tell us a bit about you!

 I'm a surrealist but I also consider myself a landscape painter. I like to depict the seasons and passing of time.
Though I've lived in the Tampa Bay area of Florida most of my life, I'm originally from Kalamazoo, Michigan.
I have vibrant memories of the seasons, especially the mystery and melancholy of Winter along with its visions of ice and snow.
I majored in art at the University of South Florida in the late 1970's and early '80's but I had no clear artistic direction then.
After working at my father's commercial art studio for 25 years I finally found my direction and began to seriously paint in 1999.

Where do you get your inspirations from?

I get my inspiration from many places including my own back yard, but music is
'Mindscape' music like prog rock, psychedelic, New age, medieval and certain
classical music helps me to create certain landscapes in my head while
formulating ideas.

Why do you make art?

 Art is one of the few things I'm good at and genuinely enjoy. Creating art is the
only really interesting thing I do.

What environment is most conducive to productive times? Non productive
times? What do you think of the term muse? Care to elaborate? Are you
spiritual or religious? Does this play into your art?

I guess music is my 'muse'. I'm not the first artist to say that. I have plenty of
I would call myself spiritual in a seeking for answers, humanistic sense. I'm much
more in tune with science than mythology.
This does play into my art at times through my frequent nature and astronomy

What are some of the artists that you are inspired by? Why?

Hieronymus Bosch is my chief artistic influence but then again, Bosch influenced
many surreal and fantasy artists.
I like the imaginative organic shapes he created and his 'busy' compositions.
I like the classic surrealists like Max Ernst and Remedios Varo as well as other
'biomorphic' surreal artists.
"Biomorphism' is the creation of organic forms usually drawn or painted
Illustrators like Roger Dean and Arthur Rackham were influences on me, too.

Techniques, programs used, substance inspiration?

I've experimented with different media in the past but oil painting is what I like by
far the best. I like to draw but the feel of paint gliding on canvas and the rich colors
make the media extra exciting to me.
Sometimes I'll get stuck on a painting, especially if it's spontaneous. This is a good
time to smoke some herb and listen to music for awhile.

If there was something you could change or improve on. What would that
be (in you or in others).
I wish I could have been a musician as well but it's no big deal. I can't really
complain. I'm poor but I'm doing what I love. How many people can truly say that?

When you create a piece, do you already have an idea in your head that
you're trying to convey in the piece at hand or do you just go with the flow?
I started out doing paintings that were completely spontaneous at first. The only
preconceived idea was to limit my palette to the colors of a particular season.
As I progressed, I expanded my color palette. I also rely more on photo references.
I achieve a greater sense of 'realism' this way while displaying my appreciation of
the landscape.
I like to visually interpret certain songs I have in mind, too.
Sometimes my paintings are clearly laid out ahead of time, some are partially laid
out with some room left for spontaneity, once in a while I'll still paint one with no
preconceived idea.

How do you deal with an art block?

I don't get 'art block'. I may get stuck for the time being but I explained one way
of dealing with that in question six.
Also, I never run out of landscapes to paint. I even find inspiration in the humble
landscapes of my neighborhood.

Do you have any rituals you use to clear your head so you can actually
sit down and have a solid session?
Sometimes I listen to music before painting or after walking my dog, I just
make sure there's enough food in my belly, grab a cup of coffee and then start

Read more →

Drake Arnold Interview
September 28, 2016

Drake Arnold Interview

Hey Drake! Provide us with a quick 3-4 sentences about yourself. (where are you from, schooling, where you live now, do you make art full-time)

I am an artist working primarily in acrylic and aerosol paint. I make work that falls
loosely between the genres of psychedelic, fantasy, and visionary art. I reside in
Fort Collins, Colorado and spend my time glassblowing by day and painting by
night. Traveling the country live painting at music festivals and visiting the National

Where do you get your inspiration?

Drawing inspiration from the earth and our natural environment, my work has been
influenced by all aspects of this multifaceted life. From the academic disciplines of
mathematics, science, and philosophy to the fantastical whimsy of the imagination,
my work has been informed by my life’s journey and my hearts intuition.

Why do you make art?

I find myself using art as a means of intimately reconnecting with my most
transcendental experiences and relating them to others. Recently I have been
using art as a means of expressing deeply personal experiences that I cannot
convey in words alone. I have found incredible joy in trying to take the purely
experiential or conceptual and re-writing it into a new visual vernacular. Mine is just
one perspective out of the vast ocean of humanity's infinite potential.

What environment is most conducive to productive times? Non productive
times? What do you think of the term muse? Care to elaborate? Are you
spiritual or religious? Does this play into your art?

I love working in my studio equally as much as I love live painting out at music
festivals. They both have their merits. I typically have better lighting and less
distractions at home in my studio, but I love getting to interact and make
connections with people while painting at events. It's especially delightful to paint
along to one of my favorite bands and let the music inspire and inform my decision
making process. I can say without hesitation that my own concepts of life and
spirit permeate through all of my most important artwork.

What are some of the artists that you are inspired by? Why?

Growing up my favorite artist was always M.C. Escher, closely followed by
Salvador Dali. As a teenager listening to the music of Tool, I immediately fell in
love with the work of Alex Grey. He really influenced an entire generation and
genre of visual artists. Lately I have been digging on impressionists and post
impressionism styles for some reason and also simpler illustrative styles like that of
Moebius. Who knows what will strike my fancy next though.

Techniques, programs used, substance inspiration?
I have taken art classes throughout my schooling, and I have also taken a few
workshops in my adult life, but I wouldn't necessarily say I use one specific
technique or another. I would mostly describe myself as self taught. I always
wanted to ignore the assignments in art class in favor of drawing my own ideas
from imagination. As such, my art was rubbish for quite a long time, but I just stuck
with it anyway. In recent years I have taken more of an interest in traditional ideas
and methods however, and combined with my own style it has been of great
I like the phrase 'substance inspiration', hahaha... My work has been heavily
informed by my use of psychedelics.

If there was something you could change or improve on. What would that
be (in you or in others).

I've been working to improve my state of presence lately. It can be easy to run on
a sort of "auto-pilot" mode sometimes, especially while at work or performing
routine tasks in life. I've just been trying to improve myself personally and trying to
bring more focused awareness to my everyday life.

When you create a piece, do you already have an idea in your head that
you're trying to convey in the piece at hand or do you just go with the flow?

I use both techniques... Sometimes I have an idea, sometimes I just go with the
flow... Sometimes I combine the approaches and let an idea flow into something
else entirely new.

How do you deal with an art block?
I'm not sure, I haven't really felt that to be a problem yet. I guess I'd just
recommend to someone with an art block to change your perspective! Life is deep,
complicated, rich with diversity and just amazingly vast. There is inspiration all
around us. If you feel bored and boring, then get out of your head, read a book, go
for a walk in some nature.

Do you have any rituals you use to clear your head so you can actually
sit down and have a solid session?

Not really... I just sit down and dive right in!

Whats upcoming for you this summer?

I am painting and showing artwork in the Tribe13 gallery at the Tipper & Friends
Full Moon Gathering down at the Sprit of the Suwannee in Florida at the end of this

Read more →

John Speaker Art Interview
September 28, 2016

John Speaker Art Interview

Hey Jon, tell us a bit about you!
 I'm an untrained artist, grew up in Harrisburg, PA, and now live with my fiancee in Philadelphia, PA. I do currently have a job where I work from home. Working from home allows me to put a lot of time into creating artwork without stressing too much on how to pay the bills with art alone. My goal is to become a full-time artist as the path develops.
Where do you get your inspiration? 
 The inspiration to create art can come from anywhere and at any time.  It's nearly impossible to pin down the source of inspiration. The less I think I know where inspiration will come from, the more I can be open to any spark of inspiration as it arises. Conversations, hikes, books, podcasts, trips, spiritual questions, and so on have all directly inspired my art.


What are your favourite podcasts? I listen to Rogan and Trussell a lot. Also, McKenna lectures when I create art seem to do wonders!

JRE and DTFH are two of my favs! Psychedelic Salon, Your Mom's House, Hardcore History, Skeptic Tank, The Bone, there are so many interesting and hilarious podcasts out there! 
Do you have a couple life changing books you can recommend?

'Be Here Now' by Ram Dass is an absolute favorite in our essential that continually teaches in such a joyful way. Also, 'Food of the Gods' by Terence McKenna really had a profound effect on the way I perceived human history and culture.
Those are both incredible, life changing books!
A question many people want to know is why do you make art? 

Making art is a wonderful way to celebrate the mystery of existence. It's a vehicle that can be used to process our life experience (with all of it's joy and pain) into an object that inspires others to see the world in a creative way. I also enjoy writing, dancing, creating music, and creative experimentation in general...I try to go along with however the creative spirit decides to flow through me, and it seems the vast majority of that energy ends up being directed toward visual art.

Do you ever feel like when you are creating that you are just a conduit or vessel for something greater than you? 
Yes, for sure. My John-ness takes a backseat and it's as if something pours through the body and moves the brush.  It feels rather strange to say that "I" created my paintings.  Yes, my body did the work, but "I" wasn't home while it was happening.
Do you have any theories of what consciousness is or why it seems like it really wants to express itself?
I feel that everything is conscious to one degree or another. We are in an undulating sea of consciousness and our bodies are temporary waves of enormous potential. It's like this thing the we've decided to call "ego" is really good at pointing out each separate ripple and wave in the ocean, but fails to see that they are all part of one body of water! 
It's a strange game to play, to simultaneously be a functional human while fully acknowledging the one-ness of being.


What environment is most conducive to productive times? Non productive times? What do you think of the term muse? Care to elaborate? Are you spiritual or religious? Does this play into your art?
My most productive time usually starts at about 9-10am, alone in my home studio, after a couple cups of coffee and a shower. Productive spurts can happen at any place and any time, but I've made it a practice to sit down every morning and paint whether I "feel like it" or 
The concept of the muse is interesting. There are certainly periods of time when I feel inspired and excited to create art, almost as if being uplifted by an angelic force. Then, there are periods where that force seems to vanish; these periods can be permeated with feelings of loneliness and deep questioning, but serve as fuel for creative breakthroughs.
The human condition can be seen from a spiritual perspective, a physical perspective, a magical perspective, a political perspective, etc. They are like different lenses or vibrations that we tune into. I can't really claim to be one thing or another as I experience a constantly fluctuating blend of all perspectives.

What are some of the artists that you are inspired by? Why? 
It wasn't until I saw Alex Grey's paintings that I really understood the incredible power of art. His paintings awoke something in me that had been missing for a long time. From there, a doorway was opened to appreciate all kinds of styles of creative expression.
Randal Roberts and Morgan Mandala have also been a huge source of inspiration.  I took a workshop hosted by them last year and learned so much about techniques, art theory, and making a living as an artist.  I would definitely encourage aspiring artists to get in contact with artists that they look up to.
There are so many incredible visionary/psychedelic artists today; too many to name individually. I find constant inspiration from the increasing influx of art flowing through social streams or by going to an art museum and being humbled by the masters.

Alex Greys work spoke to me right away. It was the Lateralus album in 2001. Did you have a similar experience?
Tool and Alex Grey are definitely responsible for me wanting to explore the psychedelic and visionary side of life. 
A couple weeks after having my first psychedelic experience, I was on Facebook and I saw that one of my friends had 'Kissing' as his profile picture. I can't even put into words how that image impacted was a cascade of something like, "Wow! Someone else has been there too?!" and "Wow! Art can be this badass?!". It was a turning point to say the least.
Did you have a certain artist or notable figure get you interested in psychedelic culture? 
Ram Dass and Terence McKenna have got to be the two biggest culprits.  They appear to be on opposite ends of the psychedelic spectrum...and that helped to create a balance where I can venture rather deep into the weirdness without getting too lost.
Those two guys are definitely my heros!
So what about techniques, programs used, inspirations?
 I mainly work with acrylic paints on wood panels or canvas.  I doodle in notebooks a lot, usually without a specific mission, but sometimes with a loose theme that I've become interested in. Among dozens of doodles there may be one that feels special for some reason...I'll use that doodle as inspiration and bring it to life over the next few weeks or months with paint.

If there was something you could change or improve on. What would that be? (in you or in others)
It's rather silly, but if I could change one thing, it would be to let go of the desire to change things. Existence is wonderful when I can let go into the moment and allow the cosmic dance to do it's thing. Peace washes over when I don't try to hold onto the good times or claw my way out of the dark times. It seems rather arrogant to think that I know how things should be rather than embrace them as they are!
Do you try to remove expectations while you work on a painting? Where you are not thinking about how much you could sell it for, if it will get a bunch of likes on facebook. 
I always feel that when I let go, and remove expectations, thats when I truly feel free, and just create or write for the sake of itself. 
Do you think some people can fall into that trap of letting their ego create the art?
I think it is good, in some sense, to have expectations for the art.  I do want to create well crafted art that is relevant. But, I don't want to get too attached to those expectations, because then the art just feels forced and disingenuous. There's a time to let go into Space-Out Art Land and there's a time to actively guide the journey with the ego. I certainly can't claim to have the game figured out, but everything feels a lot better when I can let myself bounce from one mode to another and just enjoy the process.

When you create a piece, do you already have an idea in your head that you're trying to convey in the piece at hand or do you just go with the flow? 
It's a little bit of both. With some paintings I will have intricate line work and colors that I plan to use -  with others I will simply have a vague idea. 
As a piece develops, I will go through periods of improvisation, then judgement and reflection, then improv, then judge, and on and on until the piece feels complete.
How do you know a piece is complete? When I created art some years ago, I had a shaman friend that would tell me to stop when he thought I should stop haha. He would just turn the page on me!

Haha, that works! Each piece ends a little differently. Sometimes I'll be pushing around barely wet brushes for a couple days, not effecting the way the painting looks at all, and realize "...uhh...oh, it's done!...". Other times, it'll just hit a point where I spontaneously receive the notion that it's done. Some pieces I'm not sure I'll ever get to the point of completion.
How do you deal with an art block?
Artist's block is an invitation to shed off an aspect of our identity.  It's an excellent opportunity to try something new and reassess our mission. It can really suck at the time, but I've learned to accept it as part of the process and always seem to learn something along the way.
The good thing also is if you aren’t feeling it visually, you can create something musically. It must feel great to have a bunch of creative outlets to turn to!

For sure! Different creative outlets can reveal some weird pathways you didn't know existed! 
Do you have any rituals you use to clear your head so you can actually sit down and have a solid session?
At a certain point, you just gotta grab that brush and go for it.  I do eat healthy, meditate daily, and workout consistently. All of these practices influence each other and help to foster a creative life.

Read more →

ART FEATURE | MiL Et Une - Geometric Beauty
September 28, 2016

ART FEATURE | MiL Et Une - Geometric Beauty

MiL Et Une is an artist from Normandy, France. She started drawing around the age of 4 but it wasn’t before she started travelling the world and lived in Australia that she really found her true inspiration. Introduced to the psytrance scene, she met beautiful inspiring producers and artists. She also discovered the works of visionary artists like Alex Grey, Android Jones and many more. Her true love for nature and sacred geometry is noticeable in most of her artworks.

Irish Deer


Read more →

ART FEATURE | Glenn Thomson's Transcendental Geometry
September 28, 2016

ART FEATURE | Glenn Thomson's Transcendental Geometry

Inspired by the balance found in nature, and the divinity within human consciousness, Canadian geometric / visionary artist Glenn Thomson bridges the divide between the mystical and the conceivable. Utilizing the ancient substructure of sacred geometry, Glenn brings forth hand-drawn works of complex, yet precise symmetrical vision. Just as vibration naturally brings cymatics into form, the tuned resonance of the mind can nurture and grow the beautiful structural patterns intrinsic to us all. 

The ineffable 

Pineal Gland Optics

Divine Interconnection

Intrinsic Reflection  


The Source Rediscovered 

Contact Through The Veil 

Echoes of the intrinsic

Read more →

Salvia Droid Interview
September 28, 2016

Salvia Droid Interview

Hey Salvia! Where do you get your inspiration? 
 I get artistic inspiration from numerous sources. A few being Psychedelics, Dreams, Architecture, Nature, other Artists and more.
Care to expand on a couple of these sources? 
Salvia was my first psychedelic, so it's been tremendously influential in my creative process. As of lately I've been consuming DMT, which has granted me insight to a whole new dimension within the psychedelic spectrum.
What environment is most conducive to productive times? Non productive times? What do you think of the term muse? Care to elaborate? Are you spiritual or religious? Does this play into your art?
I usually prefer being alone when I work on a drawing. I try to limit my web browser to playing music only and for searching reference/inspirational photos. It's easy to get distracted and allow time to fly right by you. 
Whats on your music player these days?
Lately I've been listening to Entheogenic quite obsessively. The two songs: Luminous Child and Silent Knowing have been a helpful motivation in powering through some of my pieces. Anything with Kargyraa or Sygyt throat singing is definitely where I'm at.
As for Spirituality and Religion, it's something that enters my mind every time I draw. I was raised Christian, so that puts a tainted window on how I view the content of my own work. I try to always keep an open mind though. The closest experience of Spirituality I have is marveling at architecture, both in the DMT realm and in everyday life. It doesn't make a sound. It is absolutely quiet, but at the same time it is always speaking a message. Pointing to something deep inside. An Inner Temple maybe. Or even a reflection of something higher. It seems as though life wants to remain a mystery and we won't really ever know for sure until the music stops playing. Or starts.

If there was something you could change or improve on. What would that be (in you or in others).
I need to read more books and start traveling more places. I've heard other artists say that those are great ways of building your internal library. Looking at the temples of Abu Simbel on google images is nice, but I'm sure being able to touch the stones and feel the warm sand in your hands would be much better. I feel as though my art in general has a large amount of space for improvement.
 If money was no option, where are three places you would travel to? 

First I'd travel to see the great pyramids in Giza. There's something about the desert and carved stone that make me feel at peace. Thailand also has some amazing temples that are just mind-blowing. It would be nice to stand near them as to get a frame of reference as to how big they are. I would also want to go exploring underneath the sands or oceans. I feel as though that's where most of our ancient civilizations are to yet be discovered.

When you create a piece, do you already have an idea in your head that you're trying to convey in the piece at hand or do you just go with the flow? 
 I almost always have a vision that's preset in my mind before I begin to work. Lately I've been trying to test myself to see how accurately I can translate a vision that I'm given. Certain anomalies may arise though, such as composition, lighting, texturing, and actually trying to make the drawing look attractive. These subtle changes can deviate the drawing into something entirely different. I feel that directly translating visions as close to how you are given them is crucial in terms of bringing back knowledge from the other side.
Do you have any tips for up and coming artists in terms of techniques like lighting and texturing? 
The biggest part about learning how to draw anything is to observe and comprehend it. When you are out and about, pay attention to your surroundings. Make sure to look closely at different materials and to study their properties. Learn how different materials and elements reflect and absorb light differently. Highly reflective surfaces will usually be of smooth texture, high contrast and will have a fuller light range from black to white. Duller objects might have a less smooth surface, less contrast and a lower lighting range. Some elements, such as Gold will reflect multiple colors depending on their surrounding light. Carry a camera with you and take a picture of something you like to reference later. As for your drawing in general, try to incorporate a full range of lighting, from the darkest of dark to the lightest of light, and everywhere in between. Closer objects will have the fullest range of dark to light, therefore possessing more detail. The farther an object gets the less range of dark it will have, making it appear lighter and lighter. Hope that helps some..

Read more →